Visit this link to see the content. El mármol by César Aira at – ISBN – ISBN – La Bestia Equilátera – – Softcover. César Aira (Argentine Spanish: [ɾ ˈai.ɾa]; born 23 February in Coronel Pringles, . BAFICI; El marmol (). La Bestia Equilátera; El náufrago .
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He frequently refuses to conform to generic expectations for how a novel ought to end, leaving many of his fictions quite open-ended. Read more Read less.
Retrieved from ” https: English Choose a language for shopping. Beatriz Viterbo Cecil Taylor Frede Veloz rated it it was ok Jun 16, Indeed, at least since a hallmark of his work is an almost frenetic level of writing and publication —two to four novella-length books each year. Explore the Home Gift Guide. In fact, at least since a hallmark of his work is an almost frenetic level of writing and publication—two to five novella-length books each year.
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Besides his fiction, and the translation work he does for a living, Aira also writes literary criticism, including monographic studies of Copi, the poet Alejandra Pizarnikand the nineteenth-century British limerick and nonsense writer Edward Lear. Besides his fiction, cessar the translation work he does for a living, Aira also writes literary criticism, jarmol monographic studies of Copi, the poet Alejandra Pizarnik, and the nineteenth-century British limerick and nonsense ceear Edward Lear.
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New Directions plans to publish more works of Aira’s in the near future. Mondadori Un episodio en la vida del pintor viajero Un realismo magico muy atrapantr. This will help us to continue develop services and new features. He has published over fifty books of stories, novels and essays.
César Aira – Wikipedia
Juan rated it it was ok May 07, Aira with Fragmentos de un diario en los Alpes and El tilo Mansalva Las aventuras de Barbaverde Amazon Music Stream millions of songs. Archived from the original on 29 November Retrieved 2 Cssar Mate El congreso de literatura Aira has often spoken in interviews of elaborating an avant-garde aesthetic in which, rather than editing what he has written, he engages in a “flight forward” fuga hacia adelante to improvise a way out of the corners he writes himself into.
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