The Order of Things: A Reappraisal of Vincenzo Galilei’s Two Fronimo Dialogues , and 3 Vincenzo Galilei6 was the father of the famous astronomer. Available in the National Library of Australia collection. Author: Galilei, Vincenzo, ; Format: Book; p.: music ; 27 cm. I will try to keep the latest version of fronimo on my site for your convenience. . pieces that had been missing from my edition of Galilei’s Fronimo () and.

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Performance for hire is, however, permitted. First Mertel Preludes now posted. Fronimo de Vincenzo Galilei. Because a rather large corner was ripped off the book, I had to do some fancy reconstruction of the last 4 pieces, but fortunately, there were other sources I could draw on. Only 3 of them are for equal lutes; the others are for lutes a minor third, a fourth, and a fifth apart.


Can I borrow galieli item? I update the spreadsheet frequently to reflect the approximate current state of the data. The significant change in repertoires between the two editions has been discussed superficially by both Galilei and in recent publications, but there is scant discussion regarding significant changes in the important areas; approaches to modal ordering, endings and, intabulation pairings.

I should also mention that John Robinson has been very helpful in providing tables of contents for all the Dlugorai sections and for identifying composers, common titles, and concordances for many, if not most, of them. These arrangements reveal two important traits and methodologies illustrated in both Fronimos; minimal ornamentation and a desire to organize the intabulated works in cycles.

It has many errors, and several missing pages, meaning that some pieces are fragmentary. We will contact you if necessary. Gslilei Lute ensemble in the list of composers, you will find pieces for two or more lutes. Notes to be sung are colored red, and the words are given underneath. Many pieces in Cavalcanti are noted as being by “Giovanni”.

Order a copy Copyright or permission restrictions may apply. In editing these files, I have tried to use “canonical” composer names and to eliminate spelling variations wherever possible, and have inserted the names of the “original composers”, where known, in parentheses under the title.


This source also contains many ricercare by Milano, as well as several intabulated chansons and madrigals, and passamezzi, galliards, and saltarellos. It turns out to be a very racy dialog between a shepherd and shepherdess.

Fronimo Dialogo

There are significant differences between these two editions which are ignored by scholars; differences which reveal important epistemic shifts in Galilei’s thinking regarding modal ordering, intabulations, tuning, counterpoint and monody in the context of Late Renaissance Humanism. Also posted a cleaned-up copy of the MS. Book titles OR Journal titles.

New search User lists Site feedback Ask a librarian Help. Again, Art Ness was extremely fronim with this project. These required significnt re-barring, which Douglas Towne has done very well. Corrected version of Thistlethwaitebased on the John Ward’s inventory, which identifies most of the pieces ggalilei gives a careful account of each. If you consider it a single piece, it is arguably the longest lute piece ever written. Again, I am grateful to Arthur Ness and John Robinson for invaluable assistance in sorting out puzzling aspects of gakilei work and for help in finding related source documents.

Galilei stresses the importance of intabulation in both editions. Crucially, this established an important model of using real works- as opposed to pure theory-to illustrate the true application of theory to practice-a model that would have been attractive to Galilei as an experimental scientist.

From Wikipedia, the free encyclopedia. It is suggested that his inability to gain court employment as a lutenist, singer, or composer may indicate modest fronumo as a performer. Many thanks to Andre Nieuwlaat for turning me on to this inventory and for locating a title that is not in the inventory.

Significantly, he also systematically arranged his own Ricercares and Fantasias to illustrate the classification system used in each volume. Fdonimo make lute music accessible!

Galilei: Fronimo – Andrea Damiani | Songs, Reviews, Credits | AllMusic

American Institute of Musicology ; Hanssler-Verlag. The galliards are not tied to any particular suite of passamezzo, romanesca, saltarello, so the performer is presumably free to pick whichever he or she wants.


Often, it seems the scribe intabulated vocal works without putting in all the musica ficta, so a large number of my emendations consisted of putting them in. She has gone through all of them meticulously, correcting my many errors and making many crucial suggestions.

This is a collection of 63 pieces, including various dances, mostly very easy ones. Posted cleaned up copies of Barbetta Intavolatura de liuto and Intavolatura di liuto There are so many errors in rhythm frohimo that at times I have not notated all of my corrections as the piece would then be hard to read.

Galilei: Fronimo

This starts with 6 interesting fantasies. The gentleman and gardener’s kalendar [electronic resource]: Without cookies your experience may not be seamless. For a detailed explanation of these and other editing practices of mine, see my writeup on fronimo formats.

Therefore this change tacitly reinforces a preferred departure from the Octenary system and an acceptance of the dodecaphonic classification. Completed all the preludes from Hortus Musicalis Novus Humanism in Italian Renaissance Musical Thought. I took a break from Dlugorai and completed work on Attaingnant’s collection: The scribe is quite careless, especially in the placement and value of the rhythm flags, so a fair amount of interpretation and modification has been necessary to produce a reasonable result.

I apologize to those who prefer other formats, such as Spanish or Italian, but I believe French is the most widely used format, though it is easy to change to another galileo — even German tab not that anyone would really want to do this…!

So far I have encountered only a handle of errors in the entire work. The tab and rhythm indications in many of these were fairly unreliable, so more guesswork was involved to try to make sense of them. The music is galulei high quality, remarkably error-free and moderately difficult. This page was last edited on 25 Decemberat