: Cassado, Gaspar – Suite For Cello – Universal Edition: Books. Heather Hanson, Shar Apprentice For Solo Cello. Published by Universal Edition . Gaspar Cassado, Johann Sebastian Bach – 6 Suites for Solo Cello Cassadó: Suite for Solo Cello / Schubert: Sonatine in D major / Chopin: Cello Sonata in G. This suite for solo cello from is suitable for advanced players and professionals. Cassadó Gaspar: Sonata in the Old Spanish Style · Web Cover. €

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Despite its mere two movements, there is nothing small-scale about this sonata. Sign up to get free in-depth coverage on up and coming artist and more! Solo suite for cello, 3rd movt. The frequent changes in register on the cello imitate the way that various sections of the band interact.

The city of Barcelona awarded him a scholarship so that he could study with Casals in Paris. The sardana is a round dance accompanied by a cobla wind band comprising a high-whistling flaviol wooden fipple flutedouble-reed shawms and various brass instruments. Each begins with an introductory adagio leading into a sonata-form allegro and ends with a rondo finale.

In the development section they are set against a repeated sujte figure that first appears as cello accompaniment to the second theme and then is more openly articulated at the end of the exposition. This finale simply overflows with rhythmic vitality, due to a near-constant chatter of rapid passagework on the part of both piano and cello. Castilla-La Mancha, Catalonia and Andalusia.

Playlists Featured All Recommended. It may not have been reviewed by professional editors and is licensed under an Attribution-ShareAlike Creative Commons License. The exposition of the immediately following sonata-form movement virtually overflows with melodic ideas: This entry is from Wikipediathe user-contributed encyclopedia.

Capping off the first movement is a coda in which Beethoven gaaspar his instrumentalists mull over solp they have just played for the last time dor the movement ends, grimly and grudgingly, with a stiffly Baroque tierce de Picardie in G major.

He was also the author of several notable musical hoaxes, notably the “Toccata” that he gxspar to Frescobaldi.


Bach: 6 Suites for Solo Cello – Gaspar Cassadó | Songs, Reviews, Credits | AllMusic

Radio 3 in Concert. If you find the biography content factually incorrect or highly offensive you can edit this article at Wikipedia.

Suite for cello solo Composer.

Performances Popular All Recommended. An unusual feature of this movement is how it slows to a glacial pace in recapitulating the first theme at its conclusion. Read more at Wikipedia.

Suite for solo cello – 2nd Movement Composer. Is Classical the New Rock ‘n’ Roll?

Gaspar Cassadó Thesis – Cassadó’s Versatility

Born in Barcelona inhe was discovered at the age of nine by a young Catalan cellist just starting out on his career, the year-old Pablo Casals, and Gaspar was accepted to study with suitd in Paris on a scholarship from his native city.

Died 24 December During his long studies with Casals in Paris, he absorbed the many aesthetic crosswinds blowing through the French capital, coming to admire the spiky modernism of Stravinsky, the impressionism of Ravel, and the Spanish nationalist sentiments of Manuel Da Falla. The sardana is a dance in three parts, the middle section being more lyrical and in a minor key.

Cervera suggests that the two presentations of the opening theme, one fortethe other pianorepresent in turn Don Quixote and his beloved, Dulcinea.

Sign in to the BBC, or Register. The second movement is a sardana, the folk dance most closely associated with the Catalonian nationalist revival of the 19th century. With a repetitive structure playfully phrased in alternating fragments of forte and piano, it drums its way into your head to become the most memorable melody of the movement.

Dance of the Green Devil Composer.

Last Played on BBC. Added, go to My Music to see full list. Requiebros for gasapr and piano. Gaspar’s own papers, along with those of his wife, the pianist Chieko Hara, are preserved at the Tamagawa University Museum of Education. Dance of the Green Devil.

When he was nine, he played in a recital where Pablo Casals was in the audience; Casals immediately offered to teach him. The concluding Allegro is a clearly structured rondo in which the eccentric but playful opening theme occurs three times, separated fpr two contrasting episodes, the second of which sees the piano take off for the races.


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Artists Popular All Recommended. What Beethoven admired most in Handel was his ability to evoke an emotion, or construct an entire dramatic scene, out of the merest scrap of a motive, such as the three-note descending phrase that occurs so often in Judas Maccabaeus. The dance-like quality of the second movement scherzo is rough, swaggering and full of ostinato rhythmic energy. The second, in particular, seems almost sentimental, without even a touch of sarcasm.

The conservative musical language of this sonata, with its profusion of regular phrase lengths and adherence to a four-movement classical layout sonata-movement, scherzo, largo and rondo shocked even some of his contemporaries. And he was more than a passable cellist, to boot, having been taught while still a princeling-in-short-pants by the virtuoso court cellist Jean-Pierre Duport for whom the Op. Suite for cello solo. The opening, played entirely in harmonics, imitates the high whistling sound of the flaviol summoning the dancers to the town square.

A lamentation like you’ve never heard before.

Gaspar Cassadó: Suite

Show more Show less. The first and second themes of the sonata-form first movement are both lyrical in inspiration. Suite for solo cello Composer. The suie movement is the one in which the spirit of the dance is most evident, with the snap of castanets imitated in sharp, abrupt rhythms, the strumming of the guitar in flamboyant arpeggio patterns, and the harmonies of Spanish folk music in the distinctive pattern of the four-note descending bass line.

Suite for solo cello – 2nd Movement. The intervening episodes, and even the refrain theme casado are continually developed and varied—sometimes cast in the minor mode, sometimes with the instruments chasing each other in canon—as if in a sonata movement.