Keren. Duration: 6′. Composition dates: Publisher: Salabert, EAS Effectif: Pour trombone. Creation: Le , Festival Musica Strasbourg. The Trombone community on Reddit. Reddit gives you the best of the internet in one place. Xenakis: Keren for Trombone Solo. By Iannis Xenakis More by Iannis Xenakis. Persepolis · Xenakis: Iannis Xenakis: Nuits (Arr. for Guitar) · More Iannis.

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Christian Lindberg traveled to Paris to meet Xenakis for the first time and audition for him. This is a single movement composition and takes 16—20 minutes to perform. Troorkh is a composition for trombone and orchestra by Greek composer Iannis Xenakis. Streams Videos All Posts.

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It seems natural, then, that Xenakis’ only work for a solo wind or brass instrument is written for the trombone, for which the glissando is a particularly idomatic effect. Thought and Mathematics in Composition While they play a role, the work is more a study of contrasts, of formal fluidity, as well as an exploration of the range of color and character available from the trombone.


Keren, however, is not merely a study in glissandi. It is dedicated to Swedish trombonist Christian Lindberg. When Lindberg received Troorkh, he considered it to be “practically unplayable”, with 56 high Fs and 2 F-sharps. Xenakiis composition starts with a tritone played by the winds. Xenakis’ use of nasty snarling sounds achieved by playing and singing at the same time further evoke the martial tradition of the brass instruments.


More by Iannis Xenakis

Drinking Hanging Out In Love. The title of this composition comes from “trombone” and “orchestra”, taking into consideration that the sound of “kh” comes from Ancient Greek.

Rainy Day Relaxation Road Trip. The composition also features “arborescences”, a composition technique developed by Xenakis which consists of “branchings that come off of a rooted tree”. However, he received a composition for solo trombone, Kerena few years later, in Xenakis replied to him with great satisfaction that he could finish a trombone concerto for him on June Romantic Evening Sex All Themes.

This page was last edited on 29 Marchat It required very high skills to be played, so he manage to work on all the difficult passages and sent a recording of the piece to Xenakis. Still, the work contains a great deal of lyricism, incorporating modal melodies that echo the music of exotic locales.

Jazz Latin New Age. AllMusic relies heavily on JavaScript. Glissandi and pizzicatiwhich were his trademarks in early works, are not as present in these late works.

Keren, for trombone

Views Read Edit View history. Subsequently, Xenakis sent him 28 red roses, half a rose each high F, and stated that, in his opinion, Lindberg was the best trombone player at that time. Xenakis told him he didn’t have more time, so he asked Xenakis if he could write a trombone concerto for Lindberg.

Sexy Trippy All Moods. Iahnis part of his very personal musical vocabulary, Iannis Xenakis has taken a special interest in exploring the various possibilities of the glissando. Then, the strings join in playing clusters of music which are further developed afterwards. From Wikipedia, the free encyclopedia. Col legno Musikproduktion GmbH. Xenakls enable JavaScript in your browser to use the site fully.


Keren is further characterized by fast, ostinato-like material in which melodic patterns xdnakis around three or four notes are repeated over and over, often with varied reorderings of the notes. However, he was ready to premiere it in cenakis, in which he received a standing ovation. Retrieved 2 July This composition is his last composition for a solo instrument and orchestra.

As with most of Xenakis’ music, the degree of virtuosity and stamina required to perform this work is enormous.

Iannis Xenakis, Keren | Ensemble Musikfabrik

Xenakis declined the proposition and Lindberg went back home. Introspection Late Night Partying. The score employs archaic-sounding horn calls, built on octaves rising from the trombone’s low pedal B-flat, throughout its six minutes. The composer has written a series of works for solo string instruments–which are especially well-suited to producing the effect–that explores the nuances of sliding sounds.

Several analysis methods have been proposed for this composition. Written in for Paris-based phenomenon Benny Sluchinthe work, whose title is Hebrew for “horn,” pays homage to this performer’s Israeli roots.

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Despite any technical difficulties, however, Keren has become a mainstay of the contemporary solo trombone repertoire, sharing the status of such important works as Berio ‘s Sequenza V